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‘Super Mario’ shoots too high, speeds through storyline

I really wanted to represent the princess being cool, independent women rather than a damsel in distress like how they're represented in the movies. (To be honest I just really wanted to draw the princesses because they're super pretty lol)
I really wanted to represent the princess being cool, independent women rather than a damsel in distress like how they’re represented in the movies. (To be honest I just really wanted to draw the princesses because they’re super pretty lol)
Anna Samuels

While the Super Mario Galaxy movie is a visual and emotional powerhouse, it isn’t without its stumbles. Even as a fan who walked away loving the experience, there were moments where the film’s ambitious reach exceeded its grasp, leaving a few craters in an otherwise smooth orbit.

The most glaring issue is breakneck pacing. The film moves with the speed of a comet, which is great for keeping younger audiences engaged, but it sacrifices world-building for momentum. We visit dozens of stunning galaxies, yet we rarely stay in one long enough to understand its culture or inhabitants. Just as the audience begins to marvel at the logic of a world made of clockwork or floating oceans, a “Launch Star” whisks the protagonist away to the next set piece. This “Tourist” approach to storytelling makes the universe feel a bit like a collection of beautiful postcards rather than a lived-in reality.

Furthermore, while the film hits high notes with Rosalina, the primary protagonist’s development feels somewhat stagnant. Mario is his usual heroic self, but because the plot is so focused on the mechanics of space travel and the spectacle of the galaxies, he doesn’t get much of an internal arc. He reacts to the wonders around him, but he doesn’t necessarily grow from them. This stands in stark contrast to the depth given to the Lumas and Rosalina, occasionally making the main hero feel like a passenger in his own movie. The dialogue also suffers from occasional “modern-movie syndrome,” where tension-filled moments are undercut by quips.

While the cynical humor of the Lumalee is a highlight, other side characters sometimes lean too heavily on pop-culture-style banter that feels slightly out of place in such a grand setting. In a movie that strives so hard to be a timeless fable, these “blink and you miss it” jokes can feel a little grounded and dated. Lastly, the villain’s motivation, while high-stakes, remains fairly one-dimensional.

Bowser Jr’s plan to save his father from the heroes seemed to me like a repeated trope that these types of movies go over. But his reasons remain rooted in a basic desire for total control. Given how much nuance was poured into the hero’s side of the story, a bit more complexity for the antagonist would have elevated the finale from a great action sequence to a legendary one. None of these flaws pull the film away from its orbit, but they do keep it from being a perfect Mario movie. It is still a stunning achievement, but a few moments of stillness and a deeper dive into the characters’ motivations would have made this cosmic journey truly flawless.

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